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amy gwilliam

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activist, diva, academic, clown

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amy gwilliam

  • ABOUT
  • CURRENT
  • PAST
  • WORKSHOPS
  • TSODU
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FUGA PER CANONEM

“Simultaneously outrageous ideas, laugh-out-loud humour and dark imaginings.”

(Oxford Daily Info)

On a desolate island in the high seas, an age-old siren works for the boss of a run-down cabaret shack which is frequented, each night, by lonely sailors. Blamed for the club’s demise, the siren is sent to kill a lighthouse keeper, both to recover her sexual powers and to gain control of the light. It should be a doddle, but as a deaf man he is resistant to the siren’s powers and an unlikely romance blossoms...

A tale of solitude, fate and bad timing. 

“Entre Escombros return with their unique style of storytelling – mixing ribald comedy with painful pathos, clowning with beautiful imagery: the sublime with the ridiculous”.

(onestoparts, London)

FUGA PER CANONEM

“Simultaneously outrageous ideas, laugh-out-loud humour and dark imaginings.”

(Oxford Daily Info)

On a desolate island in the high seas, an age-old siren works for the boss of a run-down cabaret shack which is frequented, each night, by lonely sailors. Blamed for the club’s demise, the siren is sent to kill a lighthouse keeper, both to recover her sexual powers and to gain control of the light. It should be a doddle, but as a deaf man he is resistant to the siren’s powers and an unlikely romance blossoms...

A tale of solitude, fate and bad timing. 

“Entre Escombros return with their unique style of storytelling – mixing ribald comedy with painful pathos, clowning with beautiful imagery: the sublime with the ridiculous”.

(onestoparts, London)

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“Achingly, brilliantly creative;

warm, funny, devastating” 

(Audience response to MUMMY)